 Larrivee B-03 Acoustic Bass |
East Indian Rosewood sides and back, Sitka Spruce top and Maple body binding are featured woods on this instrument. The fingerboard, bridge and headstock veneer are Ebony. The fingerboard is bound in Ivoroid. Dimensions are lower bout 17", upper bout 12", body depth 4 3/4" and scale length of 34 1/8" This is an all solid wood bass, not a laminate and comes equipped with an under saddle LR Baggs Element Notch pickup system. |
 Larrivee D-03 R |
*** SOLD! *** A nice dark East Indian Rosewood are the sides and back wood while the top is Sitka Spruce. Fingerboard, Bridge, and Headstock Veneer Plate are all Ebony. The Fingerboard Binding and Heel Cap cover are Ivoroid. Microdots indicate fret positions. The body is bound in Maple and the finish as on all 03 Models is Satin. Symetrical top bracing gives this Dreadnaught nice power with bass yet it retains clarity and balance. |
 Larrivee D-05(a) |
Dreadnought style with mahogany sides and back. The top is Sitka Spruce and the rosette is abalone. The guitar is bound in maple and has an Ebony fingerboard and bridge. The neck is bound in Ivoroid and the headstock logo is inlaid in Mother-of-Pearl. |
 Larrivee D-05(b) |
Dreadnought style with mahogany sides and back. The top is Sitka Spruce and the rosette is abalone. The guitar is bound in maple and has an Ebony fingerboard and bridge. The neck is bound in Ivoroid and the headstock logo is inlaid in Mother-of-Pearl. |
 Larrivee D-09 |
The East Indian Rosewood on the back of this instrument almost looks like Brazilian. It is as good as it ever gets. Other than that features are those of a standard D-09, Sitka Spruce top with Ebony Fingerboard bound in Ivoroid and Maple binding. Bridge and Bridge Pins are Ebony and the Rosette is Abalone. Tuning machines sport black buttons and the Headstock logo is Mother of Pearl. |
 Larrivee D-50 |
This is Larrivée’s new model designed for the player who likes the sound of a big dreadnought. Larrivée has gone away from his traditional design taking in some elements from the “Old Martins” The sound hole is enlarged as on the instrument played by Tony Rice. The headstock is squared off and the pick guard is in the tortoise mode as opposed to the normal clear pick guard found on many Larrivées. Sides and back are Mahogany with a Sitka Spruce top. The body is bound in maple with herringbone trim. The fingerboard is bound in Ivoroid and the fingerboard itself is ebony. Tuner buttons are small as on many vintage instruments. |
 Larrivee D-60 SBT |
This instrument contains the same features as the OM 60 Sunburst (see here) apart from the obvious fact that as a dreadnaught, the body size is different and the tuning machines on this instrument have chrome buttons. Also notable is the expanded sound hole on the 50 and 60 series Larrivees adding to a bit more power and bass according to many. |
 Larrivee L-03 |
Latin American Mahogany and a really nice Sitka Spruce top comprise the body woods for this instrument. The Fingerboard, Bridge and Headstock Veneer Plate are Ebony. The body is bound in Maple. The binding on the Fingerboard and the Heel Cap on the neck are Ivoroid. Microdots mark the fret positions and the pickguard is faux tortise. Three model Larrivees (03) have a satin finish a bit easier to produce as there is no buffing needed. They are also a bit more austire in the Rosette and Bridge Pins. Aside from this, they offer the quality woods, neck construction and bracing of all the higher priced models. This is a comfortable guitar to play with the waist such as it is and provides solid tone for both strumming and fingerstyle. |
 Larrivee L-03 R |
*** SOLD! *** This instrument has a really nice set of East Indian Rosewood for the sides and back. The top wood is Sitka Spruce while the Fingerboard, Bridge, and Veneer Plate are Ebony. Fingerboard binding is Ivoroid as is the neck Heel Cap. Microdots act as Fret Markers. The body of the instrument is bound in Maple set off with a bit of black pin stripping. The Larrivee L Body instruments are a really nice choice for the player wanting a versitile all around piece suited to many playing styles. |
 Larrivee L-03 SO |
*** SOLD! *** This is a special limited run from Larrivee. African Silver Oak with Sitka Spruce top are the body woods. The Silver Oak has grain that is reminiscent of Australian Lacewood. A Rosewood binding on the body adds contrast and as with all Larrivee's, the bridge and fingerboard are Ebony. The satin finish gives a woodier tone than gloss and helps to keep the pricing down. The pickguard is tortise style. The Larrivee symmetrical bracing gives a balanced tone that is quite pleasing to the ear. A bit more shimmer than Mahogany is the description I would give to the tone of Silver Oak. |
 Larrivee L-05 |
Latin American Mahogany sides and back with a Sitka Spruce top are the body woods on this instrument. The Fingerboard as well as the Bridge are Ebony. The Fingerboard is bound in Ivoriod and Ivoroid also adorns the Heel Cap on the neck. The Headstock Veneer Plate is Ebony and inlaid with MOP Mother of Pearl logo and pin stripping for accent. The body of the instrument is bound in Maple. The Sitka top has some nice bear-claw figure and tuning machine covers carry the Larrivee logo. Abalone is inlaid in the center ring on the Rosette. A tortise style pick guard rounds out the top. The Larrivee body form is that of a round shouldered instrument. It produces a solid sound between that of a Dreadnaught and a smaller finger style OM type guitar. It produces a deep bass sound but still retains a nice amount of clarity. This is surely somewhat due to the symmetrical style of bracing that Larrivee employs. If you are looking for a very versitale guitar, finger or flat pick, with the brighter sound and warm attack of a mahogany guitar, this instrument would suite that purpose well. |
 Larrivee LV-05 Mahogany top |
Latin American Mahogany is used for all body woods including the soundboard. Ebony is used throughout for the Fingerboard, Bridge, and Bridge Pins. Ivoroid binds both the body and the Fingerboard and is also used on the neck Heel Cap. Black white black accents are used on body and Rosette and the center of the Rosette is inlaid with Abalone. The body itself is bound in Maple. Fretboard markers are microdots and the pickguard is of clear style. The bracing is symetrical as is usual on Larrivee guitars which are known for their balance. The Venetian cutaway allows access to upper frets for lead playing. As a Mahogany instrument it is bright with warmth upon attack. |
 Larrivee OM 50 SB |
An Orchestra style body in Latin American Mahogany this instrument is fully sunbursted. The top wood is Sitka Spruce and to add a vintage look, the body has Herringbone purfling. Mother of Pearl small diamonds are used as fret markers. The neck is one piece Mahogany and Ebony is used for the Bridge, Fingerboard, Headstock Veneer, and Bridge Pins. The Headstock logo is MOP and the machine buttons are attractively engraved. The body is bound in Maple and the Fingerboard in Ivoroid. The back of the neck has a volute and nut and saddle are bone. Well suited as a fingerstyle guitar and comfortable to play for those whose shoulders don't care for a large guitar, this instrument has a really nice balance. |
 Larrivee OM 60 SBT |
This 60 series guitar has East Indian Rosewood back and sides. As Rosewood is darker than Mahogany, Larrivee only uses the Sunburst finish on the Sitka Spruce Top. This instrument has small open geared tuning machines with white buttons. It is trimmed with herringbone both on the body and the rosette and bound in maple. Fingerboard, bridge and bridge pins are Ebony, the pins inlaid with abalone and the fingerboard bound in Ivoroid. Tortise style pick guard and Mother of Pearl headstock logo and diamond fret markers round out the features. |
 Larrivee OM-03 R (a) |
Sitka Spruce is the soundboard wood while the back and sides are East Indian Rosewood. The neck is one piece Mahogany and Ebony is employed for the Bridge, Fingerboard, and Headstock Veneer. Ivoroid is used as the binding on the Fingerboard as well as the neck Heel Cap. Microdots act as fret markers and Maple is used for the body binding and set off with a thin black line. Nicely balanced, this OM body size makes for a really nice fingerstyle guitar while the East Indian Rosewood gives it depth in tone. |
 Larrivee OM-03 R (b) |
Sitka Spruce is the soundboard wood while the back and sides are East Indian Rosewood. The neck is one piece Mahogany and Ebony is employed for the Bridge, Fingerboard, and Headstock Veneer. Ivoroid is used as the binding on the Fingerboard as well as the neck Heel Cap. Microdots act as fret markers and Maple is used for the body binding and set off with a thin black line. Nicely balanced, this OM body size makes for a really nice fingerstyle guitar while the East Indian Rosewood gives it depth in tone. |
 Larrivee SD-50 |
Latin American Mahogany including one piece neck and a Sitka Spuce top make up the body woods on this instrument. It is bound in Maple and is highlighted with a Herringbone purfling. Herringbone is used in the Rosette as well. This instrument has a Slot Headstock and also a Pyramid style bridge which along with the diamond fret markers, give it a vintage motif. Ebony is used for Fingerboard, Bridge and Abalone inlaid Bridge Pins. The Pickguard is faux tortise and the neck sports a volute and open geared machines. The Fingerboard is bound in Ivoroid. This instrument has power and solid bass as a 12 fret Dreadnaught, but has the added advantage of retaining clarity due to the Larrivee symetrical bracing and the Mahogany tone wood. |
 Rayco Electric |
Sapele Mahogany topped with a solid red stain are the body of this beauty. The purfling is black white black and the body is bound in Ivoroid. The resonator is bisquit style. The Motif is Art Deco and a lipstick neck pickup has tone and volume controls. The neck is Flame Maple. Fingerboard binding and Headstock Veneer are of sugar maple which is heavily figured throughout. When the sugar in the maple is heated during the sanding process, it obtains its distinctive color. Looking for something to add a different dimension to your reso playing this is it. |
 Rayco Resophonic |
*** SOLD! *** This is a Square Neck style Resophonic Guitar. The body is solely made of Mahogany that is finished in a deep overall Sunburst. The body is bound in faux tortise and the Headstock logo as well as Fingerboard markers are MOP mother of pearl. Nut is bone and a nice touch is added by using open hole covers giving one a glimpse into the heart of the instrument. Nicely powerful in tone the Mahogany gives this instrument a bit more warmth on the attack than on the Maple body resophonic models. A great instrument for both playing in a band and also for more solo type of work.All Rayco's feature:Tops, backs and sides are made with solid woods.A Baltic birch tone ring and four soundposts support the cone. Open body cavity provides greater volume and fuller tone.Brass inserts in the body and stainless steel bolts fasten the cover plate to eliminate stripped screw holes.Hand fit, dovetailed neck joint.Ebony fingerboard with Mother of Pearl position markers and Rayco logo.Bone nut and Ebony capped Maple Bridge insert.Quarterman cones & #14 SpiderNickel plated Brass Cover Plate and TailpieceSchaller tunersLimited Lifetime WarrantyQuality hard shell case (optional Calton Cases also available) |
 Webber 00 Cutaway |
*** SOLD! *** ***Only the second 00 cutaway ever made by Webber guitars to this point in time.*** A great well balanced instrument with a very comfortable feel when playing. East Indian Rosewood sides and back with Englemann Spruce top are the body woods. Bound in East Indian as well this instrument features Ebony for the bridge, fingerboard, veneer plate and tunning machine buttons. Bone nut and saddle along with scalloped bracing enhances the sound. As on many new Webbers the "stealthy" "W" logo adorns the Headstock. |
 Webber Baritone |
*** SOLD! *** This Webber Baritone has a 28" scale length. It is a Mini Jumbo body and the sides and back are Sapele Mahogany bound in Cocobollo Rosewood. The top is Sitka Spruce. The Fingerboard is Ebony and bound in Ebony. The Bridge, Bridge Pins and Veneer Plate are also Ebony. Bracing is scalloped and tapered. Nut width is 1 7/8 inches, the nut and saddle are bone, and the machine tuner buttons are Ebony. This instrument responds well tuned down to B. |
 Webber Dreadnought |
***SOLD!*** Sapele Mahogany is used for the back and sides on this instrument. The top is Rectified (Stressed) Englemann Spruce. This is denser than a normal Englemann top giving the instrument more power and a bit more emphasis on the fundamental. Not that there is less in overtones just that there is more power in the fundamental tone. Great for flat picking. The fingerboard, fingerboard binding, Bridge Pins, Bridge and tuning machines are made from Ebony. Bracing is tapered and scalloped. Cocobollo Rosewood binding is used to adorn the body and the rosette is wood inlay. Nut and saddle are bone. |
 Webber Macafferri Maple |
This Maccaferri D hole is 14 frets to the body. It is Flame Maple sides and back and is bound in East Indian Rosewood. The Fingerboard is Ebony and is bound in Rosewood with a white pinstripe for accent. The Headstock Veneer Plate is Ebony as is the segmented Bridge. A Slot Headstock with Ebony button tuners accent the looks. Parallel bracing is used on this cutaway as is the Maccaferri style. |
 Webber Macafferri Rosewood |
East Indian sides & back with a cedar top and slot headstock highlight the features of this very unique instrument. Nut width is 1 13/16. Other features include an ebony fingerboard with ebony binding, bridge, and headstock veneer and tailpiece. This is a "D" hole Maccaferri style instrument and has great projection! The sound really carries. The body is bound in rosewood and the nut is bone. |
 Webber OM Cutaway |
East Indian Rosewood sides and back with Engelmann Spruce top are the featured tone woods on this OM cutaway. The Rosette and Purfling are inlaid Koa as is the "W" logo on the Headstock. The all black tuners seem to disappear into the Ebony Headstock Veneer Plate. The nut and saddle are bone and Bridge, Bridge Pins, Fingerboard, and Fingerboard binding are Ebony. The top bracing is scalloped and tapered and back bracing is tapered as on all Webber instruments. This would be a marvelous fingerstyle or lead instrument. |
 Webber OM Shaker |
This is the first of the Webber shakers to be made in an OM style. As a matter of note it is only about the 4th Shaker ever made. The sides and back woods are Walnut while the top wood is Cedar. The finish is satin throughout and "W" logo and Black tuning machines lend a very understated presence to the instrument. This is the idea behind "the shaker." The bracing as on all Webbers is scalloped and tapered. Ebony is used often, Bridge, Bridge Pins, Fingerboard, Fingerboard Binding, and Headstock Veneer. As an OM this instrument has a 1 3/4 inch nut width and is 25.4 scale length. It has a balanced open sound. |
 Webber RB Abalone Rosette |
East Indian Rosewood sides and back with an Englemann Spruce top are the body woods for this instrument. Ebony is used throughout in other areas on the bridge, bridge pins, fingerboard, fingerboard binding, headstock veneer, and machine buttons. The Rosette is inlaid with Abalone while the purling is wood inlay. The instrument shows a simply elegance with the Abalone Rosette set against the basic Webber features. A smooth balance with comfort of play are pretty much standard on Webber Round Bodies. |
 Webber RB cutaway QM |
***SOLD!*** Looking for something special in a Webber guitar? Quilted Mahogany is the tone wood for the sides and back. The figure is just fabulous. Rectified Englemann Spruce is used for the top. The body is bound in Cocobollo Rosewood. The Rosette inlay, neck heel and end wedge are also done in Cocobollo. Headstock Veneer, Fingerboard, Fingerboard Binding, and Bridge are Ebony. Bridge Pins are Ebony as well. The Veneer Logo 'W' inlay is Koa. Goto 510 gold machines accent the Headstock. Nut and Saddle are bone and the internal bracing is scallopped and tappered. This particular instrument is made with the sharp cutaway which Webber still produces though the soft cutaway is more common. A low profile satin finish neck makes for fast play. The Rectified Englemann top is a bit stiffer than standard Englemann and thus the guitar may be driven harder. A unique Webber that sounds as good as it looks and is adaptable to many styles of play. |
 Webber W00 |
***SOLD!*** Flame Maple are the back and side woods for this little guy and Englemann Spruce is used as the top wood. Cocobollo is the binding wood and is also used for the "W" logo on the headstock almost disappearing into the Ebony veneer plate. Ebony is used for the bridge, bridge pins, fingerboard and fingerboard binding. Bone nut and saddle are the standard on Webber guitars. The bridge is a less prominent version of the Webber belly bridge. Although this instrument comes in both a 12 and 14 fret to the body version, this one is 12 to the body. A little larger than a true parlor this instrument is very balanced but avoids the tendency of many parlors to sound a bit boxy. Mini Goto tuners keep the headstock light and the instrument balanced. |
